Milan Salák: Fragments(21. 1. - 14. 2. 2010)The quality of the artistic gesture frequently equals the visual deviation from the current standard of depiction. The standard of depiction of anything…As anything is always something. Dušan Zahoranský: Uncensored version(26. 2. – 21 .3. 2010)At the end of a film, just before the lights came on, the words “The End” used to appear. Two simple words separated the fictional world from the real one. Ivan Vosecký: Graffiti (1. 4. - 25. 4. 2010)It’s a mantra, after two years Ivan Vosecký once again exhibits at Karlín Studios. The space is perfect for him: closely connected to his creative processes and development; and the practice space of choice for him and his band. Degenerate art by Ondrej Brody & Kristofer Paetau photo by Mark Ther (6. 5. - 30. 5. 2010)Four and a Half Years (of Struggle) Against Lies, Stupidity and Cowardice: When an artist tries to rebel against the iron logic of Power, he comes into conflict with principles to which he himself owes his existence as artist. And so his action against Power must lead to his own downfall. Of course, Power can be mocked for a certain time, but its' revenge will not fail to appear. David Böhm and Jiří Franta: Nearly nothing is complete(12. 6. - 4. 7. 2010)It is as if searching for the beginning of a mantra. Undeniably David Böhm and Jiří Franta are as strangely put, “drawers”. It frequently seems that the final product of their projects is drawing (which technically fits). But what from the complex process of creation is the essence of their work: the process it self, performance, drawing, or the performance of drawing? For the show at Karlín, this cycle could be simplified to “exhibition of drawing”. Anetta Mona Chișa & Lucia Tkáčová: Daleko od tebe (15. 7. – 8. 8. 2010) Adam Štech: Sýkora, Kvíčala, Šimera, Žížala (19. 8.– 12. 9. 2010)Bodies imprinted in the color of a cylinder with a line of a deadly circle the most beautiful with a messy strawberry shaped lolly on a bucket angularly staring into space whilst forming a large rollicking star where through eruption flickers black lava dried up immediately after everything on it stood still and the deadly juice extruded from the lines formed an image. Case of reoccurrence of child illnesses(23. 9. - 17. 10. 2010)his exhibition is a detective story with a plot and denouement based on the reoccurrence of child illnesses. In the past, when we were all someone else, our parents used to take us to our ill peers in order for us to get infected, We were brought to the source of infections in good faith; by getting infected we may prevent the illness occurring at an older age – with much more serious consequences Economics of unwanted amity(28.10. - 28.11.2010)participating artists: Jiří Černický, Isabela Grosseová & Jasper Alvaer, Eva Jiřička, Katarína Poliačiková, Pavel Sterec, Adéla Svobodová, Tomáš Svoboda, Jan Šerých curator: Markéta Stará Pavel Sterec: Don't We All Secretly Hold Our Hands under the Table Dividing Us?(9. 12. – 9. 1. 2011)Tables serve various functions–eating, working, writing, and meeting. Activities at different types of tables, however share a common denominator – they are all codified bodily actions. In order to recognize them, we must learn what functions a table serves. Relative activities take place on or above the table. A table can thus be also understood as a platform, which establishes socially acceptable bodily behavior.

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